And here is another photo of these three legends from the back of the 'Inside the Labyrinth' Japanese Laser Disc.
See also: David Bowie As a Young Boy
This blog offers selected features of alternative Asian TV segments, news stories, editorials, photos and more from Japan, Korea, India, China and many other Asian countries. This blog also includes some WTF Japanese, North Korean online videos, entertainment news, beautiful Chinese and Japanese models, and much more.
Talking of coffee tables, here are some glimpses of a glossy new book by Japanese photographer Masayoshi Sukita. Speed of Life (a snip at £360) shows Sylvian’s direct forebear and antecedent David Bowie posing in Kyoto during a holiday there in 1979 — the time he was hanging out with Sinologist David Kidd.
Bowie, after hinting that Japan was to be his new home, left for New York, explaining that Japan would make him “too Zen”, which would cause him to stop writing.
But perhaps the oddest and most interesting of Sukita’s images, revealed for the first time in the new book, are the studio shots where he portrays Bowie as a salaryman on his way to work, attempting to beat the clock
It was basically like I won the experience of sneaking into a city movie theatre... But the concert film was pretty cool. It wasn't truly live, it was more like it was filmed on the 29th in Japan and shown in the USA on the 29th. So it's almost like it was live right? It took place at technically the same time and day.
"Dr. Nick Begich has been pursuing independent research in science and politics for most of his adult life. Dr Begich received a doctorate in traditional medicine from the Open International University for Complimentary Medicines in November 2004. Dr. Begich the eldest son of US Congressman Nick Begich Sr. and political activist Pegge Begich."
"During this interview conducted by prisonplanet.tv, Dr. Begich talks about many controversial science experiments, including HAARP, Mind Control technology, compartmentalization within the science community, and how these technologies, which might be used for the progress of all mankind, is currently controlled by secret military industrial complex interests putting all of humanity at risk."
”The scene, brief and looped, has the elusive appeal of a new Yeti or Bigfoot reel. Joe Salama, who posted the fragment, says: “This exceptional cine footage was taken by my late father on a trip up to the West End of London totally unaware that David Bowie was the young dude that smiles graciously at the camera.”
"Well, I thought I could do better than that, and before long I’d googled enough to publish with some confidence the true facts of this remarkable document. Somebody in the comments points out that it’s more likely to be 1966 or 1965. I’m able to confirm that this is spring 1965."
"I also found this Lower Third handbill, drawn by Bowie himself in 1965, showing him with the same hairstyle and the same high rounded shirt collar you see in the film."